Eidson Distinguished Professor in American Literature
lhowe1@uga.edu
Office:
Park Hall 141

LeAnne Howe, Eidson Distinguished Professor at the University of Georgia, connects literature, Indigenous knowledge, Native histories, and expressive cultures in her work. Her interests include Native and indigenous literatures, performance studies, film, and Indigeneity. Professor Howe (Choctaw) is the recipient of a United States Artists (USA) Ford Fellow, Lifetime Achievement Award by the Native Writers’ Circle of the Americas, American Book Award, Oklahoma Book Award, and she was a Fulbright Distinguished Scholar to Jordan.  Recently in October 2015, Howe received the Distinguished Achievement Award from the Western Literature Association, (WLA); and in 2014 she received the Modern Languages Association inaugural Prize for Studies in Native American Literatures, Cultures, and Languages for Choctalking on Other Realities. She received an MFA from Vermont College of Norwich University, (2000) and shares a Native and Indigenous Studies Association (NAISA) award for literary criticism with eleven other scholars for Reasoning Together: The Native Critics Collective, named one of the ten most influential books of the first decade of the twenty-first century for indigenous scholarship, 2011. She’s lectured nationally and internationally giving the Richard Hoggart Series lecture at Goldsmiths, University of London, UK, 2011, and the Keynes Lecture at the University of Kent, Canterbury, UK, 2013, among others. In 1993 she lectured throughout Japan as an American Indian representative during the United Nations “International Year of Indigenous People.”

Research Areas:
Selected Publications:

Shell Shaker, 2001 

Evidence of Red, 2005 

Miko Kings: An Indian Baseball Story, 2007 

Choctalking on Other Realities, 2013 

Co-editor with Harvey Markowitz, and Denise K. Cummings titled, Seeing Red, Pixeled Skins: American Indians and Film, 2013

 Howe’s most recent essay appears in a special issue of Studies of American Indian Literature, SAIL, Vol. 26, Number 2, Summer 2014, an exploration by scholars on her literary concept of Tribalography.

Currently, she’s at work on a new play and books of poems, Savage Conversations about Mary Todd Lincoln and a Savage Indian she said tortured her each night in an insane asylum, Batavia, Illinois in the summer of 1875.